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Omar Apollo backstage at Auditorio BlackBerry in Mexico City.Īfter cracking open beers with his band, Apollo performed his three full-Spanish traditional corridos back-to-back-to-back, crooning the heartbroken lyrics to his Juan Gabriel-inspired “En El Olvido,” followed by the corrido tumbao “Dos Uno Nueve.” His guitarist Oscar Santander and bassist Manny Barajas joined him for that more intimate part of the set, putting their Mexican pride on full display. In fact, those little grammatical errors and Spanglish moments as he connected with the audience made him even more human and lovable. That last word should properly be mexicana, but Apollo no se agüita and neither did the audience. “ Voy sa cantar una canción muy mexicano,” he said. But he was welcomed with open arms as he commanded a stage in front of native speakers ready to support the queer, Mexican-American singer’s imperfect español. That’s the thing with Apollo - like many kids of immigrants, he’s ni de aquí ni de allá, not from here nor from there. “ Ciudad de México, ❼ómo se sienten?” he asked the crowd with the slight accent of a kid who was clearly raised speaking mostly English in the U.S. The crowd couldn’t have enough of Apollo’s sex appeal as chants of “ mucha ropa” or “too much clothes” started to echo early on in the set, to which Apollo responded with an approving grin and moves that made the singer break a sweat (an even better reason for the star to remove the zipped-up, denim vest he wore to the show). With his unapologetic queerness, Spanglish lyrics, and unmatched funk and dance moves, this performance signified more than just the end of a tour - it also became a way of representing Apollo’s parents, both born in Guadalajara, Mexico, in front of an audience of young mexicanos ready for music from a kid well-connected to his roots.įlashback: Tina Turner Covers Dolly Parton, Kris Kristofferson on Debut Solo AlbumĬhasteness, Soda Pop, and Show Tunes: The Lost Story of the Young Americans and the Choircore MovementĪfter beginning his set with “Talk” and “Useless,” Apollo assured the crowd in Spanish that “ Nos vamos a poner bien sexy” (“We’re going to get real sexy”) as he put on a cowboy hat thrown from the crowd and showed off his confidence and twirls while performing one of the best songs on his full-length debut album, “Killing Me.” Apollo brought his signature swagger and sexiness to a venue way too small to contain the 6′ 5″ giant’s high-energy moves and rising starpower. On Tuesday night, as fans yelled “ te amo” and asked the musician to take his shirt off, Ciudad de México proved to be the perfect place to bring his two-month-long Desvelado Tour to a close. Apollo was returning to a city that spawned much of his creativity while making his latest LP, Ivory : Aided by his righthand creative director, Alberto Bustamante, known by the alias Mexican Jihad, the singer spent weeks perfecting his art in the city that Bustamante has described as a “hotspot for queer creativity.” It was a simple, eye-catching marketing strategy to promote a cultural homecoming for the 24-year-old son of Mexican immigrants.
“ La heterosexualidad puede ser curada” (“Heterosexuality can be cured”) read an orange-and-yellow billboard in Zona Rosa, the historically gay neighborhood of Mexico City, to promote Omar Apollo’s May 31st visit to Auditorio BlackBerry.